Jezebel (film)
From Wikipedia, the free encyclopedia
Categories: 1938 films | American films | Black and white films | Drama films | English-language films | Films directed by William Wyler | Films featuring a Best Actress Academy Award winning performance | Films featuring a Best Supporting Actress Academy Award winning performance | Warner Bros. films
Jezebel is an American film drama released in 1938 and directed by William Wyler.[1] The stars were Bette Davis and Henry Fonda, supported by George Brent, Margaret Lindsay, Donald Crisp, Richard Cromwell, and Fay Bainter. The film was adapted by Clements Ripley, Abem Finkel, John Huston and Robert Buckner, from the play by Owen Davis, Sr. The picture tells the story of a headstrong young Southern woman during the Antebellum period whose actions cost her the man she loves.
PlotSpoiled, strong-willed New Orleans belle Julie Marsden (Bette Davis) is engaged to banker Preston 'Pres' Dillard (Henry Fonda). In retaliation for Pres refusing to drop his work and accompany her while she shops for a dress, she orders a brazen red one for the most important ball of the year, one where white dresses for unmarried women are expected. Everyone is shocked, but no one can convince her to give up her ill-judged whim. Pres escorts Julie to the Olympus Ball, where their entrance is met by the disdainful stares of all present. She finally realizes the magnitude of her social blunder and begs Pres to take her away, but by this time, he is implacable. He makes her dance with him. All the other couples gradually leave the floor, finally leaving them alone and isolated. When the orchestra conductor stops playing, Pres orders him to continue and they finish the dance. Afterwards, Pres takes his leave of Julie, implicitly breaking their engagement. In a final bit of spite, Julie slaps him in the face by way of farewell. Aunt Belle Massey (Fay Bainter) urges her to go after Pres and beg his forgiveness, but she refuses, arrogantly confident that he will return to her. Instead, he goes north on business. Julie shuts herself up in her house and refuses to see visitors. A year later, Pres finally returns, to help Dr. Livingstone (Donald Crisp) try to convince the city authorities to take measures against an outbreak of yellow fever. Julie humbles herself and begs his forgiveness and a return of his love before Pres can stop her. Then Pres introduces her to his Northern bride, Amy (Margaret Lindsay). Julie eggs on her admirer, skilled duellist Buck Cantrell (George Brent), to quarrel with Pres, but the scheme goes awry. Pres's inexperienced brother Ted (Richard Cromwell) is the one who is goaded into challenging Buck. In an unexpected twist, Ted emerges victorious; Buck is fatally shot. Then something happens that overshadows everything else. A deadly epidemic of yellow fever sweeps the city, as it had numerous times before. Pres comes down with it and, like all other victims, is to be quarantined on an island. Amy prepares to go along to care for him, risking her own life, but Julie stops her. She tells the Northerner that she doesn't know how to deal with the slaves and Southerners on the island. She begs to go in her place, as an act of redemption. Amy agrees. BackgroundSome argue the film was developed as a vehicle for Bette Davis after she failed to win the part of Scarlett O'Hara in Gone with the Wind. However, the movie was filmed and released before the part was even cast in 1939. CastImage:Jezebelimage145.jpg
Henry Fonda as Preston Dillard and Bette Davis as Julie Marsden.
AwardsWins
Nominations
AdaptationsThe movie was adapted into an episode of the 60 minute radio program Academy Award, with Bette Davis in the title role. DVD commentaryIn 2006, film historian Jeanine Basinger recorded a comprehensive scene-by-scene commentary as part of the re-issued DVD of the film. In her commentary about Davis, Basinger relates that this film is distinctive in the realm of women's pictures because of Orry-Kelly's brilliant costume designs for the actress. Basinger states that the viewer is compelled to watch Davis in four stylings in particular: the riding crop/outfit in the beginning of the film, the scandalous scarlet red dress at the Olympus Ball, the virginal white dress she wears when she attempts to woo back Henry Fonda, and finally the cape at the end of the film she dons when she must go to help care for Fonda. In Basinger's opinion, this was the performance at the height of Davis's career and that Jezebel is the quintessential American "woman's" film. References
Footnotes
External linkses:Jezabel (película) fr:L'Insoumise it:La figlia del vento nl:Jezebel ja:黒蘭の女 pl:Jezebel (film) | ||||||||||||||||||||||||||||||||||
