Long take
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A long take is an uninterrupted shot in a film which lasts much longer than the conventional editing pace either of the film itself or of films in general, usually lasting several minutes. It can be used for dramatic and narrative effect if done properly, and in moving shots is often accomplished through the use of a dolly or Steadicam. At least two theatrically-released feature films, Timecode and Russian Ark are filmed in one single take; others are composed entirely from a series of long takes, while many more may be well-known for one or two specific long takes within otherwise more conventionally edited films. The term "long take" is used because it avoids the ambiguous meanings of "long shot", which can refer to the framing of a shot, and "long cut", which can refer to either a whole version of a film or the general editing pacing of the film. However, these two terms are sometimes used interchangeably with "long take".
Sequence shotA sequence shot involves both a long take and sophisticated camera movement; it is sometimes called by the French term plan-séquence. The use of the sequence shot allows for realistic and dramatically significant background and middle ground activity. Actors range about the set transacting their business while the camera shifts focus from one plane of depth to another and back again. Significant off-frame action is often followed with a moving camera, characteristically through a series of pans within a single continuous shot. Longest average shot lengthThe following films are notable for their exceptionally high ASL (average shot length), a statistical measurement which divides the total length of the film by the number of shots.
Directors known for long takes
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