Lowbrow (art movement)
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Cover Art by Mark Ryden
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Todd Schorr, Futility in the Face of a Hostile World, 2003. Col: Merry Karnowsky, Los Angeles, CA.
Lowbrow, or lowbrow art[1], describes an underground visual art movement that arose in the Los Angeles, California, area in the late 1970s. Lowbrow is a widespread populist art movement with origins in the underground comix world, punk music, hot-rod street culture, and other California subcultures. It is also often known by the name pop surrealism. Lowbrow was born of underground culture. Lowbrow art has a sense of humor. Sometimes the humor is gleeful, sometimes impish and sometimes it's of sarcastic comment, but it is always present.[2] Most lowbrow artworks are paintings, but there are also toys, digital art, and sculpture.
HistorySome of the first artists to create what came to be known as lowbrow art were underground cartoonists like Robert Williams and Gary Panter. Early shows were in alternative galleries in New York and Los Angeles such as Psychedelic Solutions Gallery in the east village, New York City run by Jacaeber Kastor, La Luz de Jesus[3] run by Billy Shire[4] and Zero One gallery in Hollywood, run by John Pochna. The movement steadily grew from its beginning, with hundreds of artists adopting this style. As the number of artists grew, so did the number of galleries showing Low Brow; The Julie Rico Gallery and the Bess Cutler Gallery both showed important artists and helped expand the kind of art that was classified as Low Brow. The lowbrow magazine Juxtapoz[5] by Robert Williams, begun in 1994, has been a mainstay of writing on lowbrow art, and has helped direct and grow the movement. Writers have noted that there are now distinctions to be drawn between how lowbrow manifests itself in different regions and places. Some see a distinct U.S. "west coast" lowbrow style, which is more heavily influenced by underground comix and hot rod car-culture than elsewhere. As the lowbrow style has spread around the world, it has been intermingled with the tendencies in the visual arts of those places in which it has established itself. As lowbrow develops there may be a branching - as there was with previous art movements - into different strands and even whole new art movements.[citation needed] Origin of the term "lowbrow"In an article in the February 2006 issue of his magazine Juxtapoz, Robert Williams took credit for originating the term "lowbrow art". He stated that, in 1979, Gilbert Shelton of the publisher Rip-Off Press decided to produce a book featuring Willams's paintings. Williams said that he decided to give the book the self-deprecating title, "The Lowbrow Art of Robt. Williams,"[6] since no authorized art institution would recognize his type of art. "Lowbrow" was thus used by Williams in opposition to highbrow. He said the name then stuck, even though he feels that it is inappropriate. Lowbrow or pop surrealismLowbrow is also commonly referred to as pop surrealism. Kirsten Anderson, who edited the book Pop Surrealism, considers lowbrow and pop surrealism to be related but distinct movements. [7] However, Matt Dukes Jordan, author of Weirdo Deluxe, views the terms as interchangeable. Lowbrow vs. "fine" artMuseums, art critics, mainstream galleries, etc., have been uncertain as to the status of lowbrow in relation to the fine art world, and to date it has been largely excluded - although this has not stopped some collectors from buying the works. Some art critics doubt that lowbrow is a "legitimate" art movement, and there is thus very little scholarly critical writing about it. The standard argument of critics is that critical writing arises naturally from within an art movement first, and then a wider circle of critics draws upon this writing to inform their own criticism. This apparent absence of internal critical writing may be because many lowbrow artists began their careers in fields not normally considered fine art, such as illustration, tattooing and comic books. Many lowbrow artists are self-taught, which further alienates them from the world of museum curators and art schools. Many in the art world have deeper difficulties with lowbrow's figurative focus, its cultivation of narrative, and its strong valuing of technical skill.[citation needed] All these aspects of art were deeply disparaged in the art schools and by curators and critics throughout the 1980s and 90s.[citation needed] However, a number of artists who started their careers by showing in lowbrow galleries have gone on to show their work primarily in mainstream fine art galleries. Joe Coleman, Mark Ryden (from his 2007 'Tree Show' exhibition), Robert Williams, Manuel Ocampo, Georganne Deen, and the Clayton Brothers are examples. Echoes of lowbrow's approach can be found in the art history of the 20th century, beginning with the work of the Dadaists and the leading proponents of the American Regionalism movement (artists like Marcel Duchamp and Thomas Hart Benton) in which such art movements have questioned the distinctions between high and low art, fine art and folk art, and popular culture and high-art culture. In some sense lowbrow art is about exploring and critiquing those distinctions, and it thus shares similarities with the pop art of the 1960s and early 70s. One can also note that just as the lowbrow artists play in the blurred (or perhaps evaporated) boundaries between high and low culture, other more "mainstream" contemporary artists use artistic strategies similar to those employed by lowbrow artists. Examples include: Lisa Yuskavage, Kelly D. Williams, Kenny Scharf, Takashi Murakami, Jim Shaw, John Currin, Mike Kelley, and the San Francisco-based Mission School, which includes Barry McGee and Margaret Kilgallen. Lowbrow artistsCategory:Lowbrow pop surrealism artists Influences/ReferencesLowbrow artworks are often influenced by, and make reference to, the following sources:
Lowbrow galleriesLowbrow art is shown in many galleries around the United States, Canada, Europe, Australia and New Zealand. Of the over 100 galleries showing lowbrow art in the world, many are dedicated almost entirely to this kind of art. Notable lowbrow galleries include: Los Angeles
New York Phoenix Sacramento
Seattle San Francisco Minneapolis Astoria, Oregon Columbus, Ohio Maumee, Ohio Rome, Italy Melbourne, Australia Lowbrow booksThere are several books which offer overview histories of lowbrow, including the following:
There are also books focusing on individual lowbrow artists, including Mark Ryden, Robert Williams, Joe Coleman, Anthony Ausgang, The Pizz, SHAG (Josh Agle), Niagara (artist), Stacy Lande, Todd Schorr, Camille Rose Garcia and Elizabeth McGrath. Lowbrow magazines
Lowbrow documentariesSeveral films have been made to document the Lowbrow movement, including:
See alsoReferences
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